Reflective, screen-like surfaces are hollowed out by deep, fleshy indentations reminiscent of anatomical structures. The interweaving of synthetic and organic materials, like the title of the work series Silicon, refers to the connection between human and machine. The works address the function of humans in a consumer and performance-orientated society of the 21st century on a sociological level. The exhibition Remote shows works from different series from the last two years, which are connected but assert themselves as autonomous positions.

For the exhibition Pieces from a New York dance floor at the Barvinskyi Gallery, Alina Grabovsky presents a series of works that vary in form and content yet are unified by a distinctive thread running through her entire oeuvre. These paintings capture moments of transition, unstable states, and precarious identities, inviting the viewer into a process of contemplation and interpretation.

The boundary between abstraction and figuration is intentionally elusive. Time and again, one might glimpse the suggestion of a body, a fragment of interaction, or a fleeting pose—but the figures remain deliberately vague, their presence hinted at rather than defined. This ambiguity extends to the spatial compositions, where multiple, often conflicting, spatial concepts coexist within a single canvas.

These works resist straightforward interpretation, instead offering an open-ended experience that encourages personal and imaginative (re)interpretations. By balancing what is visible and what is concealed, Grabovsky creates a dynamic tension that leaves a lasting impression of mystery and possibility.

At the heart of this exhibition lies the potential of collaboration – a spark that turns disconnection into creation. Here, artists explore humanity’s fragile ties to nature, the layers of self/ves and histories, and the intricate relationship between technology and ecology. Themes of belonging, separation, and communication emerge, woven together against a hyper-globalized world marked by persistent crisis and fragmentation. What may initially seem fractured transforms, as separate voices harmonize into the polyphony of a cohesive whole, inviting us to uncover connections within complexity. Through this interplay, the exhibition encourages a re-examination of how we relate to each other and our environment, ultimately celebrating the strength that emerges from our collective experiences on the common grounds we all share.

DUALITY is the first exhibition in Austria by the Franco-Mexican sculptor Eloise Ettore, featuring a human-scale steel sculpture, that interacts with the gallery space and invites the visitor to explore its tridimensional reality emerg- ing from around and within the artwork.